 I started this demo off with Indigo paper which is around 240 lb. It has a handmade feeling with a nice rough texture to it. It’s a softer paper, so you have to be careful when lifting—you have to use a soft brush. This full-day workshop was crafted into three demonstrations. I wanted to share the differences of watercolor papers and how to chose your subject material that best suits the watercolor paper. As far as paints I explained to my students what you get out of a limited palette versus a full color. The first two demos took around 45 minutes. Finally, I like to have paint-a-longs because the student catches on faster by watching and then doing rather than just observing. This way I can guide them through the painting and help them through the process.  MORNING Demo #1: I started this demo off with Indigo paper which is around 240 lb. It has a handmade feeling with a nice rough texture to it. It’s a softer paper, so you have to be careful when lifting—you have to use a soft brush.
- Raw sienna - Ultramarine blue The limited color approach showed the students using this color palette they could create the illusion of full color. Demo #2: I switched over to 300 lb Arches hot press. It is a smoother and slicker paper. Lifting the paint is easier with this paper. This was a full-color study (note: full color is denoted by six color or more.) Adding just two more colors showed just a hint more variety of colors and helped accentuated temperature changes. Full color:
 LEFT: Limited color RIGHT: Full color AFTERNOON The Paint-A-Long: The afternoon demo was on 300 lb Arches cold press. This paper has a rougher surface and can take a good scrubbing. I felt the subject matter lends itself to it – the roughness would add an extra dimension. Finally, I firmly believe in the paint-a-long when teaching students. It’s a step-by-step instruction of how to build a painting. I selected a snow scene to help my students understand how temperature worked with the white of the snow.
  Checkout the great job my students accomplished in just one afternoon. Thank you Next Picture Show for inviting me to your beautiful gallery.
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 I spent a Friday evening with the Town & Country Art League taking them through a lecture on basic drawing and value which is the core of any solid 2-dimensional art. I first explained the importance of linear perspective. Using a simple cube, showing the difference between 1-point and 2-point perspective along with demonstrating how to establish the eye level line which is #1 in importance. How to turn form is understanding the highlight, light, midtown, core shadow, shadow, and reflective light. Then an explanation on cast shadows followed and how to perceive them.  I wrapped up the two-hour lecture/discussion with a small watercolor demo implementing the elements covered in the earlier part of the lecture.  The entire group stayed for the full lecture which I was told had never happened before. Thank you Town & Country Art League for a great evening.
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Dale L Popovich IWSDale is an award-winning watercolorist and teacher passionate about capturing the raw beauty of the American landscape with the fluid stroke of a brush. As you will see, the works selected in his portfolio represent the breadth of his holistic approach to painting. You can also learn with this talented and experienced teacher through his workshops, Palette & Chisel, and Popovich Studio classes. Archives
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