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Emotional Impact: See How Flipping Your Photo Affects Your Watercolor Landscape's Mood

3/19/2025

1 Comment

 
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A painter must not merely see but perceive, for a watercolor landscape holds more than what first meets the eye. Every composition contains a hidden force—a direction, a mood, a story. And sometimes, by simply flipping a photo for watercolor, you unlock a new dimension of feeling within your painting. Let us consider the value of this small but mighty tool, one that allows the artist to shape the emotional impact in painting a scene with greater intent.
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You are invited into my studio  located in the Great Northwoods of Wisconsin via Facebook Live monthly for a FREE demo. I hope to see you Wednesday night for another FREE demo at 6:30 pm CST. This month I will discuss flipping your photo. If you can't make it live checkout the replay. Here's the link buttton to the reference toolkit. and video. 
GRAB YOUR VIDEO LINK & REF PACK
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Direction as a Key to Mood
The structure of a watercolor landscape—its lines, shapes, and movement—guides the viewer’s emotions. When elements such as rivers, trees, and pathways flow from left to right, they naturally echo the way we read and progress through life. Conversely, when they lean right to left, they can introduce a sense of reflection, nostalgia, or even resistance. The act of flipping a photo for watercolor allows the artist to manipulate these emotional undercurrents, determining whether the piece speaks of journeying forward or looking back—an essential tip among watercolor composition tips.

The Psychology of Movement in a Landscape
Western traditions condition us to view left-to-right movement as progress and optimism. Right-to-left movement, by contrast, can introduce a pensive, even wistful quality. Imagine a path winding to the right—its gentle curve invites the viewer to step into the watercolor landscape, to move forward with ease. Now flip it, and the same path becomes a retreat, an inward reflection. This subtle shift carries weight, influencing the emotional impact in painting and how the viewer connects with the scene on a deeper level.

The Role of Light and Shadow
Light, in its grand orchestration, dictates mood as much as composition does. Consider a watercolor landscape where morning light pours in from the left—this suggests the start of something, the crispness of a new day. Flip it, and that same light now signals evening, the close of a chapter, the fading of energy. A painting’s emotion is deeply tied to these subtle shifts in lighting direction. In watercolor, where luminosity is achieved through restraint and transparency, even the faintest adjustment in light alters the atmosphere—a key insight for how to improve watercolor mood.

How Flipping Your Photo for Watercolor Painting
Strengthens Your Composition

For the artist, flipping a photo for watercolor is not merely a new viewpoint—it is an invaluable tool for refining structure. Turning a photo on its head, so to speak, grants you a fresh vantage point on watercolor composition tips. It lays bare the bones of the picture—how shapes are weighted, how lines flow, how colors distribute themselves across the design. What felt settled may suddenly seem off-kilter, and what was uncertain may now feel resolved.

More than that, flipping an image shakes loose our attachment to it. When we stare too long at a piece, we risk growing blind to its shortcomings. The eye grows too accustomed, too forgiving. But reverse it, and it becomes unfamiliar again—anew to scrutiny, open to honest critique. It is in this seeing with fresh eyes that an artist can judge with clarity and correct with confidence. By reversing an image, weaknesses in balance, harmony, or movement become more evident—a technique especially helpful for beginner watercolor techniques. The painter may find that an initially strong composition falters when flipped, revealing areas in need of adjustment. This practice fosters clarity, ensuring the emotional impact in painting is fully realized.

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  • Practical Application: Steps for the Artist
  • ​Select and Flip Your Reference: Begin with a chosen watercolor landscape photograph. Use a mirror, a digital tool like your phone or computer, or even sketch the flipped version by hand—an accessible step for beginner watercolor techniques.

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  • Compare Emotional Impact in Painting: Examine both versions. Does one feel more inviting, the other more somber? Identify which serves your artistic intent and enhances how to improve watercolor mood.

  • Sketch Both Versions​: Thumbnail studies will quickly reveal which composition better aligns with your vision—a practical tip from watercolor composition tips..
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  • Adapt Your Approach: If flipping alters the direction of light, adjust values and edges accordingly to maintain coherence.
​
  • Paint with Purpose: Let the chosen composition guide your brushwork—soft passages for a reflective mood, bold contrasts for dynamism—key to mastering how to improve watercolor mood.

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:Examples of Flipping Photo for Watercolor Painting in Practice
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Waterfalls: as it tumbles in the original photograph, snakes its way from left to right—a restless, silvery thread that whispers of adventure. It pulls the eye along its course, a call to wander, to chase the unknown around the next bend, alive with the rush of discovery. But flip it, and the tale transforms! Now, in your watercolor landscape, it flows right to left, a quiet homeward drift, as if the water itself has wearied of its roaming and seeks the solace of the familiar. The cascade becomes a solitary return, its voice softened, its movement a sigh rather than a shout. In this mirrored dance, the painter’s hand finds truth: one way stirs the soul to venture, the other bids it rest. That’s the power of direction—simple, yet it carves the heart of the picture.
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​The Farmhouse: as it stands in the original photograph, reveals a subtle tussle of forces. That cluster of saplings on the right—brash little sentinels—digs in its heels and halts the eye, a stubborn barricade against the natural drift beyond the picture’s edge. It’s a jolt, a stop-sign, and the rhythm stumbles there. But flip the scene, and oh, what a shift! Now those trees, gathered on the left, become gentle ushers, their lines swaying like a quiet breeze, guiding the eye with a tender insistence toward the heart of the matter—the house itself. The farmhouse sits there, steady and unassuming, an anchor that hushes the chatter of the composition. It’s no longer a mere building; it’s the soul of the silence, drawing you in, settling the restless wander of the gaze. That’s the secret, you see—movement must serve stillness, or the picture loses its poetry.

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The Woodland Path: In the original photo it greets us with light sifting through from the left—a soft, radiant whisper of dawn’s tender vow. It spills across the scene like a quiet awakening, stirring the leaves and beckoning the spirit forward with the freshness of morning’s hope. But turn it about, flip the canvas, and behold how the mood shifts! Now the light pours from the right, bathing the path in the mellow glow of an afternoon’s embrace—a warmth that settles rather than stirs, a gentle pull toward contemplation. It’s the same woodland, the same threading trail, yet this simple reversal bends the emotion, as if the sun itself has walked the day’s arc. In painting, such a tweak is no mere trick; it’s the hand of feeling, shaping the story the eye longs to linger upon.
Citations for Further Reading
​A painter must be more than a mere recorder of facts—he must understand the very essence of his subject. The watercolor landscape, like the human spirit, holds depths of emotion and  movement that are often unseen but deeply felt. To aid in this pursuit, the following readings may provide valuable insight into the relationship between composition, perception, and the expressive power of art -- CLICK ON THE LINKS BELOW:
Art and Emotion - Wikipedia 
A foundational look at the connection between artistic expression and human sentiment, examining how visual elements stir the soul.
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True Stories of Trauma and Madness - Scientific American 
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- Scientific American
An exploration of why artists arrange subjects to evoke psychological responses. An investigation into why certain compositions resonate more deeply.Differences Between Our Left and Right Brains Explain Many Phenomena, Including Patterns in Museum Painting.
Always Flip Your Art
​- Mlecznymlecz
Imagine this: your creating an artwork. You’re super happy with it because everything goes smooth. However, as you progress in the process, you notice something’s not quite right. Yet, you can’t figure out what’s wrong with the image. Sounds familiar? The answer is simple: always filp your art!
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Fantastic Photography Relies More on Left and Right
​-Fstoppers
A study on how visual weight and directional flow guide the viewer’s eye—principles that apply to painting as well.
An artist who understands these principles wields greater control over his work, shaping not just what the eye sees, but what the heart feels.
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Final Thoughts
​To paint a watercolor landscape is not merely to replicate nature but to interpret it—to distill its essence into a language of form, light, and tone. By flipping a photo for watercolor, the painter does more than rearrange shapes; they control the undercurrents of emotion and movement within their work—a cornerstone of watercolor composition tips. This simple yet profound adjustment, accessible even in beginner watercolor techniques, allows an artist to move beyond imitation and into the realm of expression.

Thus, the next time you prepare to paint, take a moment to reverse your reference. Let the altered perspective guide your choices, and in doing so, strengthen your ability to shape the watercolor landscape’s silent, stirring voice and master how to improve watercolor mood. The scene before you is not just earth, sky, and water—it is a narrative, and you, as the artist, are its teller.

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Watercolor Escape Saturday #4

4/21/2020

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NOTE: THIS VIDEO WAS FIRST BROADCASTED ON MY FACEBOOK PAGE. BECAUSE OF THE INTERNET AND BAND USAGE THE IMAGE GETS BLURRY.  SORRY.

I had my fourth Watercolor Escape Saturday last weekend on April 11th.  If you are new to this my wife, Marilee and I are committed to broadcasting a Facebook Live every Saturday at noon CST till our lives kinda get back to some type of normal. We want to offer an escape even for an hour or two. 

Reference
​In this week's blog post I have included the video now on YouTube (edited as a paint-along) and my demo notes. Here's what you will find: 
  • Photo reference
  • The pencil drawing on watercolor paper
  • Supplies
  • Three steps as a paint-along 
  • I added a bonus to the YouTube video – I took a little less than an hour and added more details to create a studio finished painting.
I am asking a favor would you please like my Facebook page and subscribe to my YouTube channel. Thank you.
Download Reference Material PDF
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Materials
​This Facebook Live demo I used the following mostly Qor watercolor paints:
  • Sap green
  • Ultramarine blue
  • Cobalt violet
  • Manganese blue
  • Raw sepia
  • Burnt  sienna 

  • Watercolor Paper: 300 lb Indigo
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​To learn more about my brushes and tried and true supplies head over to my Supply List & Library page. Click on the Supply List above for my personal  printable list. ​
​
The Video
​We have edited and added more information to the Facebook Live video. 
Click on the button and head over to my YouTube page. Don't forget to subscribe to my page. and leave a comment.
YouTube Paint-Along Video
The Painting
A few weeks back one of my online watchers asked if I would do some rocks. So I thought I would paint rocks with a waterfall showing them how to recompose a photo and leave out the unimportant and how one could be left with the essentials of the photo.

My main goal of this painting was not only the rocks but how to handle the water flowing over and around them. How layering the watercolor and the colors themselves could be applied to have the illusion of the water flowing over the rocks and moving down the falls.

In finishing the waterfalls I used a razor blade to create the spatter of water and get a better feeling for the overall movement of the water. 

I spent a little bit more time back in the studio after the Facebook Live broadcast. I added some key values and colors to push the water out towards the viewer. I also took the liberty of adding gouache with color added to give a little bit more volume and dimension.
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The Location
Yondota Falls in the UP of Michigan. MAP.

The falls are located deep in the forest of Marenisco Township, MI, and are part of the Presque Isle River. Yondota Falls is a short walk from Copps Mine Road at the bridge over the Presque Isle River. The dynamics of the water flowing are ever-changing almost like a fine bottle of wine from year to year. No two years are alike.

​We have been hiking there for nearly 13 years during all four seasons. During that time the water is stained with tannic acid from the tamarack trees giving the water a weak coffee color. Yandota Falls is a series of falls, so be sure you walk far enough to see them all. The trail is not long but does drop in elevation along the river, so the uphill return hike may make this a moderately difficult trail.
  • Trail Walking Time:  15 min.
  • No fee
  • No restroom

I have supplied additional websites below with more information I depend on and great photos to help you plan your trip look below. 

https://www.uptravel.com/attractions-2/waterfalls-of-the-u-p/

https://www.fishweb.com/maps/gogebic/waterfalls/yondota/index.html

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Buy Hard Cover
Buy Paperback
​In My Library
​Here's this week's pick, Light and Mood in Watercolour by David Curtis. I also own his oil painting book which is full of great information.

​
The fluidity and versatility of watercolor makes it uniquely suited to capturing subtle variances of light and color. Internationally renowned watercolor artist David Curtis' comprehensive handbook offers expert guidance on harnessing the power of this medium to produce striking landscapes, portraits, and scenes. Curtis shares his methods for painting on location and in the studio, with sections devoted to selecting materials, developing ideas, choosing subjects and colors, and interpreting light effects. A generous selection of sketches, studies, and finished paintings accompany in-depth instructions for each technique, along with invaluable bits of practical wisdom garnered from years of experience.
In Conclusion
That's it for now. I hope we will see you next Saturday at noon CST on my Facebook page for another Watercolor Escape Saturdays. 

Remember to leave a comment below, tell me what you think and what you would like to see in the future.
​
Wash your hands and your brushes,
​Dale
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Note About Copyright
During this last broadcast of Watercolor Escape Saturdays, I was asked about copyright of these paint-alongs. You have permission to use and paint these reference materials. But you don't have permission to use it as a teaching tool to instruct others. In addition, your finished painting cannot be used in an art competition or show. This is solely used as a learning tool.​

AFFILIATE DISCLOSURES
Amazon: As an Amazon Associate, I earn from qualifying purchases.
​
Blick Art Supplies: I earn a small commission from qualifying purchases.
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FOREST BATHING OR WHAT I CALL MY SECRETS TO FINDING GREAT REFERENCE MATERIAL

8/4/2018

0 Comments

 
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You are wondering what FOREST BATHING is and what does it have to do with collecting photo reference. It means "taking in the forest atmosphere." I was reading an article in Time magazine back in May and it appears to be forest bathing is taking time to unwind and connect with nature to improve your health. Simply put: forest bathing is retreating to nature to immerse in the forest atmosphere. This is the healing way of Shinrin-yoku. It was developed in Japan during the 1980s and has become a cornerstone of preventive health care and healing in Japanese medicine. I didn't, but I've been doing this for years!

I don't know about you, but plein air painting when the snow is flying, and it's in the 20's is not my idea of fun. Frostbite and frozen paint is not a pleasant painting experience. What I rather do is collect interesting subject matter throughout the year with my digital camera or iPhone, download to my iPad and lock myself in my studio with a hot cup of coffee.

How do you get around not being overwhelmed by the surroundings?
Try using a 'Viewfinder.' Cut two 'L' shaped pieces of mat board and clip together. This isolates your subject matter and will help with your photo reference composition. Keep a pair of these in your backpack because you will eventually use them when you start plein air painting. 

What are you looking for in a good reference?
First look for the contrast of value. A strong light source is essential. Second, having a few large shapes balanced off with some smaller shapes.

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Why is an excellent reference essential? 
A good reference is important not only for inspiration but structural evidence and good definition.    

How do you use a reference to your best advantage? 
I identify the direction of the light source. Decide what to eliminate and focus on where the center of interest will be placed.     
​
Capturing scenes with a video camera is easier than ever with your smart phone
Capturing views on video with stop action will allow you to see different movements. Whether people, water or clouds, every second can change the flow in the rush of the moment.

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Kakabika Falls, October, 2012
It can also be a historical record of weather conditions. In the case of Kakabika Falls the water flow is down to a trickle exposing a prehistoric beauty. We may never see this again in our lifetimes. With the video I can study the most Intimate details of nature. To view photos of the falls in years past click here and see the astounding difference. Below is our visit a year later
 and look at the difference in water

Kakabika Falls, October 2012
It can also be a historical record of weather conditions. In the case of Kakabika Falls, the water flow is down to a trickle exposing a prehistoric beauty. We may never see this again in our lifetimes. With the video, I can study the most Intimate details of nature. To view photos of the falls in years past click here and see the astounding difference. Below is our visit a year later and look at the difference in water.    
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Kakabika Falls, 2013

SEASONS
I highly recommend you revisit locations at different times of the year. I feel this helps deepen your understanding of nature.
  • Study the lighting
  • Colors influences
  • Textures​
  • While you are out capturing your photo reference take a sketchbook. Make a good sketch of lights and darks – to create a strong image.​
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The above photos are from two different years – notice the water levels. The river rose 2-4 feet due to spring rains and winter snow levels. Nature never stays the same. So, revisit some of the same places again.

​PERSPECTIVE 
Talk about aerial perspective 
  • Observation into the landscape will show you about values:
  • Lights get darker in the distance, and darks get lighter in the distance. 
  • Colors are warmer in the foreground and cooler in the background as they recede. The exception - snow. It is reversed. 
  • Details lesson in the background.
  • The intensity of colors greys down in the background and cools.
  • The secret of a good painting is in the greying of the colors.
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Taking time to unwind and connect with nature to improve your health and capture the best photo reference. Remember forest bathing is retreating to nature to immerse in the forest atmosphere and bring that feeling back to your studio.

​#ForestBathing #PhotoRefference #Watercolor
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    Da​le L Popovich IWS

    Dale is an award-winning watercolorist and teacher passionate about capturing the raw beauty of the American landscape with the fluid stroke of a brush. As you will see, the works selected in his portfolio represent the depth of his holistic approach to painting. You can also learn with this talented and experienced teacher through his workshops, Palette & Chisel, and Popovich Studio classes.

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©2025 Dale L. Popovich. IWS, Drawing & Painting TIPS and TECHNIQUES Thursday, In the Comfort of Your own Studio tm, Towering Winds Academy of Fine Arts tm, and Teaching People to Truly See tm     All Rights Reserved.
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  • Home
  • The Artist
    • Dale L Popovich Curriculum Vitae
    • Artist Statement
    • Art Teacher Philosophy Statement
  • Portfolio
  • Instructor
    • Instructor: Palette & Chisel Academy of Fine Art, Chicago
  • Supply List & Library
    • Rosemary Brushes
    • Watercolor Paints
    • Watercolor Papers
    • Additional Supplies
    • Library-Books and other materials
  • 2025 Watercolor Workshops, Shows & Demos
    • 2024 Watercolor Workshops, Shows & Demos
  • Online Shop
  • 2025 Popovich's Field Journal
    • 2024 Popovich's Field Journal
    • 2023 Popovich's Field Journal
    • 2022 Popovich's Field Journal >
      • 2021 Popovich's Field Journal
      • 2020 Popovich's Field Journal >
        • 2019 Popovich's Field Journal
        • Popovich's 2018 Field Journal : Jan-July, 2018
        • 2017 Popovich Field Journal
        • 2016 Popovich Field Journal
        • 2015 Popovich Field Journal
        • 2014 Popovich Field Journal
        • 2013 Popovich Field Journal
        • 2013 Popovich Field Journal - continued
        • 2012 Popovich Field Journal
  • Online Learning
    • Watercolor Escape Wednesdays FREE DEMOS
    • Towering Winds Academy of Fine Art Online School
    • TIP & TECHNIQUES Thursdays
  • Press Releases & NEWS
  • Blog.
  • Testimonials
  • Contact
  • The WISE Fine Art MARKETER Blog
  • September 2024 Newsletter