DALE L POPOVICH IWS
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Emotional Impact: See How Flipping Your Photo Affects Your Watercolor Landscape's Mood

3/19/2025

1 Comment

 
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A painter must not merely see but perceive, for a watercolor landscape holds more than what first meets the eye. Every composition contains a hidden force—a direction, a mood, a story. And sometimes, by simply flipping a photo for watercolor, you unlock a new dimension of feeling within your painting. Let us consider the value of this small but mighty tool, one that allows the artist to shape the emotional impact in painting a scene with greater intent.
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You are invited into my studio  located in the Great Northwoods of Wisconsin via Facebook Live monthly for a FREE demo. I hope to see you Wednesday night for another FREE demo at 6:30 pm CST. This month I will discuss flipping your photo. If you can't make it live checkout the replay. Here's the link buttton to the reference toolkit. and video. 
GRAB YOUR VIDEO LINK & REF PACK
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Direction as a Key to Mood
The structure of a watercolor landscape—its lines, shapes, and movement—guides the viewer’s emotions. When elements such as rivers, trees, and pathways flow from left to right, they naturally echo the way we read and progress through life. Conversely, when they lean right to left, they can introduce a sense of reflection, nostalgia, or even resistance. The act of flipping a photo for watercolor allows the artist to manipulate these emotional undercurrents, determining whether the piece speaks of journeying forward or looking back—an essential tip among watercolor composition tips.

The Psychology of Movement in a Landscape
Western traditions condition us to view left-to-right movement as progress and optimism. Right-to-left movement, by contrast, can introduce a pensive, even wistful quality. Imagine a path winding to the right—its gentle curve invites the viewer to step into the watercolor landscape, to move forward with ease. Now flip it, and the same path becomes a retreat, an inward reflection. This subtle shift carries weight, influencing the emotional impact in painting and how the viewer connects with the scene on a deeper level.

The Role of Light and Shadow
Light, in its grand orchestration, dictates mood as much as composition does. Consider a watercolor landscape where morning light pours in from the left—this suggests the start of something, the crispness of a new day. Flip it, and that same light now signals evening, the close of a chapter, the fading of energy. A painting’s emotion is deeply tied to these subtle shifts in lighting direction. In watercolor, where luminosity is achieved through restraint and transparency, even the faintest adjustment in light alters the atmosphere—a key insight for how to improve watercolor mood.

How Flipping Your Photo for Watercolor Painting
Strengthens Your Composition

For the artist, flipping a photo for watercolor is not merely a new viewpoint—it is an invaluable tool for refining structure. Turning a photo on its head, so to speak, grants you a fresh vantage point on watercolor composition tips. It lays bare the bones of the picture—how shapes are weighted, how lines flow, how colors distribute themselves across the design. What felt settled may suddenly seem off-kilter, and what was uncertain may now feel resolved.

More than that, flipping an image shakes loose our attachment to it. When we stare too long at a piece, we risk growing blind to its shortcomings. The eye grows too accustomed, too forgiving. But reverse it, and it becomes unfamiliar again—anew to scrutiny, open to honest critique. It is in this seeing with fresh eyes that an artist can judge with clarity and correct with confidence. By reversing an image, weaknesses in balance, harmony, or movement become more evident—a technique especially helpful for beginner watercolor techniques. The painter may find that an initially strong composition falters when flipped, revealing areas in need of adjustment. This practice fosters clarity, ensuring the emotional impact in painting is fully realized.

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  • Practical Application: Steps for the Artist
  • ​Select and Flip Your Reference: Begin with a chosen watercolor landscape photograph. Use a mirror, a digital tool like your phone or computer, or even sketch the flipped version by hand—an accessible step for beginner watercolor techniques.

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  • Compare Emotional Impact in Painting: Examine both versions. Does one feel more inviting, the other more somber? Identify which serves your artistic intent and enhances how to improve watercolor mood.

  • Sketch Both Versions​: Thumbnail studies will quickly reveal which composition better aligns with your vision—a practical tip from watercolor composition tips..
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  • Adapt Your Approach: If flipping alters the direction of light, adjust values and edges accordingly to maintain coherence.
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  • Paint with Purpose: Let the chosen composition guide your brushwork—soft passages for a reflective mood, bold contrasts for dynamism—key to mastering how to improve watercolor mood.

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:Examples of Flipping Photo for Watercolor Painting in Practice
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Waterfalls: as it tumbles in the original photograph, snakes its way from left to right—a restless, silvery thread that whispers of adventure. It pulls the eye along its course, a call to wander, to chase the unknown around the next bend, alive with the rush of discovery. But flip it, and the tale transforms! Now, in your watercolor landscape, it flows right to left, a quiet homeward drift, as if the water itself has wearied of its roaming and seeks the solace of the familiar. The cascade becomes a solitary return, its voice softened, its movement a sigh rather than a shout. In this mirrored dance, the painter’s hand finds truth: one way stirs the soul to venture, the other bids it rest. That’s the power of direction—simple, yet it carves the heart of the picture.
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​The Farmhouse: as it stands in the original photograph, reveals a subtle tussle of forces. That cluster of saplings on the right—brash little sentinels—digs in its heels and halts the eye, a stubborn barricade against the natural drift beyond the picture’s edge. It’s a jolt, a stop-sign, and the rhythm stumbles there. But flip the scene, and oh, what a shift! Now those trees, gathered on the left, become gentle ushers, their lines swaying like a quiet breeze, guiding the eye with a tender insistence toward the heart of the matter—the house itself. The farmhouse sits there, steady and unassuming, an anchor that hushes the chatter of the composition. It’s no longer a mere building; it’s the soul of the silence, drawing you in, settling the restless wander of the gaze. That’s the secret, you see—movement must serve stillness, or the picture loses its poetry.

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The Woodland Path: In the original photo it greets us with light sifting through from the left—a soft, radiant whisper of dawn’s tender vow. It spills across the scene like a quiet awakening, stirring the leaves and beckoning the spirit forward with the freshness of morning’s hope. But turn it about, flip the canvas, and behold how the mood shifts! Now the light pours from the right, bathing the path in the mellow glow of an afternoon’s embrace—a warmth that settles rather than stirs, a gentle pull toward contemplation. It’s the same woodland, the same threading trail, yet this simple reversal bends the emotion, as if the sun itself has walked the day’s arc. In painting, such a tweak is no mere trick; it’s the hand of feeling, shaping the story the eye longs to linger upon.
Citations for Further Reading
​A painter must be more than a mere recorder of facts—he must understand the very essence of his subject. The watercolor landscape, like the human spirit, holds depths of emotion and  movement that are often unseen but deeply felt. To aid in this pursuit, the following readings may provide valuable insight into the relationship between composition, perception, and the expressive power of art -- CLICK ON THE LINKS BELOW:
Art and Emotion - Wikipedia 
A foundational look at the connection between artistic expression and human sentiment, examining how visual elements stir the soul.
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True Stories of Trauma and Madness - Scientific American 
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- Scientific American
An exploration of why artists arrange subjects to evoke psychological responses. An investigation into why certain compositions resonate more deeply.Differences Between Our Left and Right Brains Explain Many Phenomena, Including Patterns in Museum Painting.
Always Flip Your Art
​- Mlecznymlecz
Imagine this: your creating an artwork. You’re super happy with it because everything goes smooth. However, as you progress in the process, you notice something’s not quite right. Yet, you can’t figure out what’s wrong with the image. Sounds familiar? The answer is simple: always filp your art!
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Fantastic Photography Relies More on Left and Right
​-Fstoppers
A study on how visual weight and directional flow guide the viewer’s eye—principles that apply to painting as well.
An artist who understands these principles wields greater control over his work, shaping not just what the eye sees, but what the heart feels.
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Final Thoughts
​To paint a watercolor landscape is not merely to replicate nature but to interpret it—to distill its essence into a language of form, light, and tone. By flipping a photo for watercolor, the painter does more than rearrange shapes; they control the undercurrents of emotion and movement within their work—a cornerstone of watercolor composition tips. This simple yet profound adjustment, accessible even in beginner watercolor techniques, allows an artist to move beyond imitation and into the realm of expression.

Thus, the next time you prepare to paint, take a moment to reverse your reference. Let the altered perspective guide your choices, and in doing so, strengthen your ability to shape the watercolor landscape’s silent, stirring voice and master how to improve watercolor mood. The scene before you is not just earth, sky, and water—it is a narrative, and you, as the artist, are its teller.

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Watercolor Escape Saturdays #2

4/2/2020

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Well, I had my second Watercolor Escape Saturday last weekend on March 28th.  If you are new to this my wife, Marilee and I  are committed to broadcasting a Facebook Live every Saturday at noon EST till our lives kinda get back to some type of normal. We want to offer an escape even for an hour or two. 

In this week's blog post I have included the video now on YouTube (edited as a paint-along) and my demo notes. Here's what you will find: 
  • Photo reference
  • The pencil drawing on watercolor paper
  • Supplies
  • Three steps as a paint-along 
  • Additional painting examples
I am asking a favor would you please like my Facebook page and subscribe to my YouTube channel. Thank you.
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Click Here: Photo & Pencil
Materials
​This Facebook Live demo I used the following watercolor paints:
  • Brown Madder
  • Sap Green
  • Cobalt Blue
  • Naples Yellow
  • Mars Orange Deep
  • Cadmium Yellow Deep
Watercolor Paper:
  • 300 lb Indigo

​To learn more about my brushes and tried and true supplies head over to Supply List & Library page. And here's a link to my personal supply list. 

The Video
​We have edited and added more visuals to the Facebook Live video. 
​ Click on the button and head over to my YouTube page. Don't forget to subscribe to my page.
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Full Supply List Click Here
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You Tube Paint-Along Video
Gallery of Work
​Highlighted in Video
Below are several demos I did playing with composition and value studies before the final painting titled Walking in My Father's Footsteps. I also share additional paintings in the video. Click on the painting to see a larger version.
Gift
​Every year I paint a special birthday card for Marilee. I remember once a long time ago we went to the Terra Museum to John Singer Sargent watercolor show. Sargent would paint special gifts for his sister with tender words and well wishes. They were touching and moved both of us.  

This painting is of one of our favorite walks in spring up not far from our cabin. The silver light and tender greens you only see during this time of year.
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Marilee's 2020 birthday card. It's a tradition.
This study was painted on handmade paper containing seeds, leaves, and stems. The paper had very little sizing so planning my brushstrokes were essential. Could not rework once the paint was laid down.
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​Final studio painting
I promised myself I would experiment with new color combinations during this down time. Here is an example a new color combination palette. And don't think you can't find painting reference material. This was taken by Marilee while we were driving north through Wisconsin to our cabin. The sun was setting, the sky was on fire and the earth was rich with color.  Here's my 6-color full palette:
  • cadmium yellow deep
  • brown madder
  • ultramarine blue
  • burnt sienna
  • cobalt blue
  • cobalt violet
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The Master
I have enjoyed Winslow Homer watercolors long before I ever picked up a paint brush. My father admired his work and would share his paintings with me. He would break composition rules and make them work.

I suggested a Homer book that looks like it's out of print but you may find on Ebay. There are other Homer books at Amazon (CLICK HERE) like this one. If you rather go to your library and check-out a book. Also here's a website to view. CLICK HERE. 

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Poppy
​Incase you didn't here we got a new puppy this year. Her name is Miss Poppy, a Pembroke Welsh Corgi and she is such a joy. It's a blessing to have her and an additional heartbeat in our house.

Well that's it for now. I hope we will see you next Saturday at noon EST on my Facebook page for another Watercolor Escape Saturdays. 

Remember Leave a comment below, tell me what you think and what you would like to see in the future.

Wash your hands and your brushes,
​Dale
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AFFILIATE DISCLOSURES
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​
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CRUSH-IT: The Best 3-Full Day Watercolor Workshop in Lake Zurich, IL

2/27/2020

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UPDATE:
​change to May 30, 31 and June 1

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Click on the arrow above to view a short video
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RESCHEDULED to
May 30, 31 & June 1, 
2020
Saturday, Sunday & Monday
9:00 am - 4:00 pm

$400.00


I have had the honor to share my painting knowledge as a watercolor teacher at Mainstreet Art Center going on six years. It's a little over an hour's drive from Highland to Lake Zurich every Wednesday for my morning watercolor class but it is well worth it. If you have never been there for a class, tour or workshop well it is quite inspiring for the students and the facility.

First of all, Mainstreet is nestled in the quaint town of Lake Zurich, IL. Frankie Johnson, Owner, and Director has owned Mainstreet for almost 26 years. She is an accomplished master painter with over 40 years of experience in oil painting and pastels. She shares this knowledge with her students and it shows. I am always amazed at the talent that comes out of this art school Checkout Frankie's personal studio site.  www.frankiejohnsonartstudio.com
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Many of these budding artists are in their third act wanting to explore a desire to paint after they have retired and or the kids are out of the nest. Other artists want to take their skills to the next level. The Mainstreet Art Center offers a wide variety of fine art classes for all ages. Beginners start with drawing in charcoal and then advance to painting in oils, pastels or watercolor. Advanced students are constantly challenged with new techniques and subjects. The craft of painting is taught by demonstration and individual instruction.
Mainstreet Art Center offers a wonderful selection of classes including:
  • Charcoal Drawing
  • Oil Painting
  • Pastels
  • Watercolor Painting
  • Portrait Painting
  • Open Studio
  • Plus Frames & Supplies​
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Frankie asked me to develop the best 3-Full Day Watercolor Workshop for Mainstreet. This workshop called Abstract Patterns of Nature in Watercolor  is a concentrated study in watercolor. I have seen these intensive studies help the student climb to a new level whether you are starting the journey or you have painted for a while.
​ 
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WORKSHOP DESCRIPTION
Let me show you how to ignite your passion for watercolor. In this 3-day workshop, the student will experience my unique step-by-step instruction in transparent watercolor. Exploring the beauty of nature, and gain a deeper, richer understanding of the techniques, properties, and tools of this unique medium. Students will learn how to block in the painting, interpret color, values and temperatures. Use different processes of watercolor: work wet-into-wet as well as wet-on-to-dry. Understand the importance of a focal point and how to place it. He will also share his secrets to bring your painting to a new level.
My objective for this workshop is to share my 41 years of professional art instruction and for the student to gain confidence in this medium. The student will walk away with a greater, more in-depth understanding of transparent watercolor. The class is designed for beginners and intermediate artists.

Landscape photo references will be supplied by the instructor.  Supply list will be handed-out  at registration. If you have any questions please email me.
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20 E Main Street
Lake Zurich, IL 60047
P (847) 550-0016
W 
mainstreetartcenter.com
DIRECTIONS
Registration and Class Policies
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1-DAY WINTER WATERCOLOR WORKSHOP AT THE LAKELAND ART LEAGUE

1/8/2019

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I want to thank the Lakeland Art League in Minocqua, WI  for the fantastic opportunity this past Wednesday, January  2. This is a large group of passionate artists in the Northwoods of Wisconsin.

The watercolor workshop went very well, and the students were great! I was impressed with the enthusiasm and the final paintings. Oh, and the heartiness of these artists fighting the frigid temps and snow.

This eager group of artists wanted to focus on snow and pines. I demonstrated a snow scene in the morning working through the three phases of a transparent watercolor painting. Working light to dark, background to foreground and warm to cool. 

After we broke for lunch, we started the second painting – a paint-along. I feel this is a great way to have the students learn watercolor in small doses. In my experience, the student retains the information they have learned. 

We talked colors and which brushes to start with. This is a block-in stage, so a big brush is a key to your success. I painted the first phase, and then the students went back to their easels and recreate the first phase. I always walk around and give personal direction with every student. 

I took the students through phase-two which takes twice as long as the first. I walked then through the difference of winter verses a spring or summer. The sky is different, bark on the trees and overall light.

Phase three you really slow down, and now they can go in and use smaller brushes. This is the final stage where you focus on the details. I always feel an accomplishment when I take the tape of the painting. This clean edge gives you a sneak peek of what a mat will look like on your painting
I raffled off my demonstrations at the end of the day. Here are the two winners.
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I would like very much to be included in your schedule this spring/summer. Thank you.
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WATERCOLOR BASICS: How to Draw on Watercolor Paper

7/12/2018

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In this YouTube watercolor video demonstration, I am going to share with you how easy it is to draw up your pencil on watercolor paper. I am not a fan of graphite paper because it is messy. Instead, a 2B pencil and a kneaded eraser are all you need.
View My YouTube Watercolor Demo
Here's a link to my full supply list – go to bit.ly/watercolor-supplies

Any questions, leave me a comment. I would be more than happy to talk watercolor and drawing.

While you are here check out my website
. You will find:
• My current paintings
• Workshops and demonstrations dates and locations
• My teaching schedule in the Chicagoland area
• Online Gallery
• Online watercolor courses
• Link to my Newsletter
• and more

​And, please subscribe to my YouTube channel.
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IN MY STUDIO LIBRARY

6/23/2018

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Principles and Techniques of Drawing and Painting
Robert J Krajecki IWS

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My friend and partner, Bob Krajecki at the Palette & Chisel has published his third book "Principles and Techniques of Drawing and Painting." This book includes all of what Robert feels is important for every artist. A lifetime of painting, study, observation, and conversations with many professional artists has made this book a reality. It is condensed into his "42 Rules", explained and illustrated with over 200 diagrams, drawings, and paintings. I highly recommend this book if you are a beginner or even you have been painting for a while.


Hard Bound
978-0-9997238-4-5 
$40.00+$3.00 shipping 
​
Soft Cover
978-0-9997238-5-2
$35.00+$3.00 shipping

You can pay with PayPal to [email protected], 
or send a check to: 
Robert J. Krajecki 
46W420 Main Street Rd 
Elburn, Illinois 60119
RobertJKrajecki.com/books.html

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    Da​le L Popovich IWS

    Dale is an award-winning watercolorist and teacher passionate about capturing the raw beauty of the American landscape with the fluid stroke of a brush. As you will see, the works selected in his portfolio represent the depth of his holistic approach to painting. You can also learn with this talented and experienced teacher through his workshops, Palette & Chisel, and Popovich Studio classes.

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©2025 Dale L. Popovich. IWS, Drawing & Painting TIPS and TECHNIQUES Thursday, In the Comfort of Your own Studio tm, Towering Winds Academy of Fine Arts tm, and Teaching People to Truly See tm     All Rights Reserved.
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